„The relevance resonates when Billinger talks about her ancestors in a region of Bessarabia that is now part of Ukraine, thus locating herself in history, and then roars around with outstretched arms to the old „Codo“ hit by DÖF, defying the hatred it sung about. Or when the Asian woman talks about how the sense of belonging in Germany changes when she encounters a group of right-wing extremists alone. The others remain unmoved.
Humans as members of a group, avoiding relationships and yet influenced by them. Billinger and Schulz analyze this from different perspectives. When it’s still very personal to them, it’s exciting. The three-person team concludes with powerful interpretations, peppered with elements of martial arts, synchronized but without physical contact. Despite the high dynamics, it seems emotionless. If that’s supposed to be the message, that things remain cool when interpersonal interaction is lacking, then it’s been received.“ Frankfurter Rundschau

„On one hand, she [Billinger] talks about very personal things (…) on the other, so many broader matters are raised that it is easy to make connections to other lives and bodies: to see what is shared. (…) Much more emphasis is placed on dance in the second section. This is distinguished by a nuanced choreography danced in unison that focuses on what is physically shared and unique. Only at the very end do Billinger and Schulz themselves come back on stage and integrate themselves into the choreography: a shared ending to an evening packed with meaning that operates on many levels.“ Frankfurter Allgemeine Zeitung